{"id":79,"date":"2004-09-14T10:49:43","date_gmt":"2004-09-14T17:49:43","guid":{"rendered":"https:\/\/www.ahniwa.com\/blog\/?p=77"},"modified":"2004-09-14T10:49:43","modified_gmt":"2004-09-14T17:49:43","slug":"la-casa-comics","status":"publish","type":"post","link":"https:\/\/www.ahniwa.com\/old\/2004\/09\/14\/la-casa-comics\/","title":{"rendered":"La Casa Comics"},"content":{"rendered":"<div class=\"storycontent\">\n<p>For anyone who pays close attention to my blog &#8211;<br \/> I don&rsquo;t think anyone does, really &#8211;<br \/> you may have noticed the new link under the<br \/> &ldquo;An Absolute Must&rdquo; heading, that looks like it says<br \/> (because it does) La Casa Comics.  Any of the truly intrepid<br \/> may have visited this mysterious site and noticed it looks<br \/> like crap.  Well, that&rsquo;s because my notepad skills suck,<br \/> thus far, but I&rsquo;m looking to improve them dramatically<br \/> over time, so stay tuned.  <a href=\"http:\/\/users.zhonka.net\/lacasa\">La Casa Comics<\/a><br \/> (ed. note: now located at http:\/\/lacasacomics.com)<br \/> is the website of myself and my two roommates, Theo and Tim.<br \/> Theo and I have been doing a comic collaboratively called La Casa (of all things),<br \/> chronicling the adventures of three twenty-something guys,<br \/> dealing with ravenous monkeys and the<br \/> 17 laws of attraction (17 and 1\/2, really).  Theo also does<br \/> his own thing with these two cop-guys and aliens,<br \/> and Tim is working on a monkey-conspiracy story, so it<br \/> should be pretty entertaining once we get it all out there.<br \/> So like, check it out, and stuff.<\/p>\n<p>&ndash;<\/p>\n<p>Speaking of synchronicity, it turns out that a young woman<br \/> I used to work with at Ruby&rsquo;s (an Oly restaurant), went to<br \/> France with the same program I did (only 2 years later), and<br \/> stayed with the same family that I did in Betton (near Rennes)!<br \/> And, contrary to the fact that I thought they might have disliked me,<br \/> they remembered me and showed her the pictures I had left and<br \/> everything.  Talk about crazy.  So, it was fun to compare our two<br \/> experiences with this family and Rennes in general; and France in<br \/> more general.  It seems like once a week I get together with<br \/> french-y people (like myself) and talk about experiences and<br \/> adventures in France.  Bear in mind that I went to France over<br \/> four years ago, and only for three months.  In that sense,<br \/> it seems kind of silly that it&rsquo;s a constant conversation topic<br \/> amongst my peers.  A lot of value has happened in my life<br \/> since then, but somehow it seems like France is always going<br \/> to take the cake.  And I&rsquo;m not sure how I feel about that.<br \/> I&rsquo;m not trying to be a downer, though.  I do enjoy these<br \/> conversations; very much so.  But I can&rsquo;t help but wonder<br \/> at what point, if any, a three-month trip to a completely<br \/> civilized country loses its significance;<br \/> or will this always and forever be the pinacle of my experience?<\/p>\n<p>&ndash;<\/p>\n<p>Swing dancing tonight, and I&rsquo;m dragging Theo along with me.<br \/> I told him that even if he didn&rsquo;t dance, he could practice drawing<br \/> motion.  It sounded clever and enticing to me, but I think he&rsquo;s just<br \/> coming along to dance.  I&rsquo;m betting he gets asked to dance more than<br \/> me, but that&rsquo;s absolutely and totally fine.  Dancing is great, but<br \/> dancing with strangers is a little less great, and they&rsquo;re all<br \/> strangers.  I remember how much more fun it is to have a constant<br \/> dance partner, to learn and to practice with, and in the end to<br \/> feel comfortable with, most importantly.  With strangers, it&rsquo;s hard<br \/> to tell if they&rsquo;re enjoying themselves, and it&rsquo;s hard to tell if<br \/> they&rsquo;re judging you or not.<br \/> It&rsquo;s fun, but it can play havoc with the ego and the psyche.<\/p>\n<p>Watching <a href=\"http:\/\/www.imdb.com\/title\/tt0301414\/\"><em>Man on the Train<\/em><\/a> last night, Jean Rochefort has a line<br \/> as he&rsquo;s playing the piano, to the effect of:<br \/> <em>Everyone always thinks that one must enjoy playing music.<br \/> They say, &ldquo;Oh, the happy hours he must spend in front of the piano.&rdquo;<br \/> Well, playing music can be a dead bore too, let me tell you.<\/em><br \/> And then he goes on to say how boring Schumann is, but how he<br \/> likes Schumann for appealing to his love of failure.  The point,<br \/> however, is people could easily say the exact same thing about<br \/> dancing; and I would have the exact same response.<br \/> Sometimes, dancing can be a complete bore, too.<\/p>\n<p>On a huge tangent, Hollywood is making American, big star versions<br \/> of what I consider to be very watchable foreign films:<br \/> <a href=\"http:\/\/www.imdb.com\/title\/tt0152930\/\">Taxi<\/a> is becoming <a href=\"http:\/\/www.imdb.com\/title\/tt0316732\/\">Taxi<\/a> and <a href=\"http:\/\/www.imdb.com\/title\/tt0117615\/\">Shall We Dance?<\/a> is becoming<br \/> <a href=\"http:\/\/www.imdb.com\/title\/tt0358135\/\">Shall We Dance?<\/a>  Why must we remake these films<br \/> instead of watching the originals?  With <em>Taxi<\/em>, at least it looks like they<br \/> changed the film in a few ways (though they kept the ending to the<br \/> letter), but with <em>Shall We Dance?<\/em>; the scripts are<br \/> completely identical!  Perhaps on the opening night of each of<br \/> these films, I&rsquo;ll boycott, stay home, and watch the originals.<br \/> You&rsquo;re all welcome to join me; bring some popcorn.<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>For anyone who pays close attention to my blog &#8211; I don&rsquo;t think anyone does, really &#8211; you may have noticed the new link under the &ldquo;An Absolute Must&rdquo; heading, that looks like it says (because it does) La Casa Comics. Any of the truly intrepid may have visited this mysterious site and noticed it [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,17],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/posts\/79"}],"collection":[{"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":0,"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/posts\/79\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/media?parent=79"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/categories?post=79"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ahniwa.com\/old\/wp-json\/wp\/v2\/tags?post=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}